Art history

Art history Bachelor Degree

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Tel : +8615850513534

E-mail : apply@acasc.cn

  • Application Deadline:2018/08/28
  • Tuition:¥26000.00
  • Application Fee:¥800.00
  • Service Fee:¥0.00
School Information

Hebei Academy of Fine Arts is one of the only nine independent academies of fine arts of China, and the only private academy of fine arts in China, therefore we hold a position of foundation, pioneer and representative in the field of high education of fi

Find more information on the university website
How To Apply

Applying through ACASC generally takes a few minutes to complete. It takes 5 steps to complete the application.

1. Click “Apply Now” button at the top of the page.

2. Fill in online application form.

3. Upload required documents.

4. Pay the application fee and the ACASC service fee

5. Click “Submit” button.

Important notice: In order to apply, you need to create an account with ACASC.

Art history is the study of objects of art in their historical development and stylistic contexts; that is genre, design, format, and style.[1] The study includes painting, sculpture, architecture, ceramics, furniture, and other decorative objects.[2]

As a term, art history (its product being history of art) encompasses several methods of studying the visual arts; in common usage referring to works of art and architecture. Aspects of the discipline overlap. As the art historian Ernst Gombrich once observed, "the field of art history [is] much like Caesar's Gaul, divided in three parts inhabited by three different, though not necessarily hostile tribes: (i) the connoisseurs, (ii) the critics, and (iii) the academic art historians".[3]

As a discipline, art history is distinguished from art criticism, which is concerned with establishing a relative artistic value upon individual works with respect to others of comparable style, or sanctioning an entire style or movement; and art theory or "philosophy of art", which is concerned with the fundamental nature of art. One branch of this area of study is aesthetics, which includes investigating the enigma of the sublime and determining the essence of beauty. Technically, art history is not these things, because the art historian uses historical method to answer the questions: How did the artist come to create the work?, Who were the patrons?, Who were his or her teachers?, Who was the audience?, Who were his or her disciples?, What historical forces shaped the artist's oeuvre, and How did he or she and the creation, in turn, affect the course of artistic, political, and social events? It is, however, questionable whether many questions of this kind can be answered satisfactorily without also considering basic questions about the nature of art. Unfortunately the current disciplinary gap between art history and the philosophy of art (aesthetics) often hinders this inquiry.



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