Drama

Drama Bachelor Degree

Feel Free to Ask Questions!

Tel : +8615850513534

E-mail : apply@acasc.cn

  • Application Deadline:2017/06/30
  • Tuition:¥17000.00
  • Application Fee:¥800.00
  • Service Fee:¥350.00
School Information

At present, GZU has a full-time enrollment of 44588 undergraduates, 7233 postgraduates, 9415 adult students, and 291 international students. Among the staff of 4198, there are 2530 full-time teachers, including 381 PhD owners, 1083 Master degree owners, 3

Find more information on the university website
How To Apply

Applying through ACASC generally takes a few minutes to complete. It takes 5 steps to complete the application.

1. Click “Apply Now” button at the top of the page.

2. Fill in online application form.

3. Upload required documents.

4. Pay the application fee and the ACASC service fee

5. Click “Submit” button.

Important notice: In order to apply, you need to create an account with ACASC.

When used to define a specific genre or type of film or television programme, drama is usually qualified with additional terms that specify its particular subgenre, such as "costume drama," "political drama," "courtroom drama," "domestic drama," or "comedy-drama." These terms tend to indicate a particular setting or subject-matter, or else they qualify the otherwise serious tone of a drama with elements that encourage a broader range of moods.

All forms of cinema or television that involve fictional stories are forms of drama in the broader sense if their storytelling is achieved by means of actors who represent (mimesis) characters. In this broader sense, drama is a mode distinct from novels, short stories, and narrative poetry or songs. In the modern era before the birth of cinema or television, "drama" came to be used within the theatre as a generic term to describe a type of play that was neither a comedy nor a tragedy. It is this narrower sense that the film and television industries, along with film studies, adopted. "Radio drama" has been used in both senses—originally transmitted in a live performance, it has also been used to describe the more high-brow and serious end of the dramatic output of radio.


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